Top Tips for a Career In Music.

An old school friend recently asked me for my thoughts about her son studying for a career in music in 2013. This is a series of blogs based on what I wrote to her….

How do I stand out in the crowd?

EVERY young person I know wants to be in a band. We know this because now every other TV advert is aimed at budding ‘musicians’. Empires are being built on the hopes of these young people, who have been promised a short cut to stardom. As a result, everyone now wants to be noticed, whether they merit it or not – resulting in a massive amount of content now on sites like You Tube, Facebook etc.

Yet some genuine talent is still out there if we care to look hard enough. The key to being noticed in a world overflowing with content is having something unique and of great quality to offer, so that you’ll get noticed when that rare opportunity arises. How is it possible to achieve this?

I believe this: only by giving ourselves every opportunity to learn all we can about our chosen field/instrument, will we be able to compete with the hoards of others who are all striving for the same thing. Knowledge is power, as Francis Bacon once said. For this reason I’m an advocate of higher education, because it gives us more CHOICES.

Qualifications vs Experience

Now it’s true that many of my successful colleagues in the business don’t have a degree or performance diploma. What I would add is that they are now very limited for choices, because now we’re all older and the business has changed, there’s very little work of the kind they prepared themselves for and a great many players are all vying for it. More every year, as each music college and ‘tech’ in the country empties out a fresh batch of talented, young, enthusiastic and ambitious players.

I’ve been lucky enough to be able to fall back on the education I had at music college, renewing my acquaintance with orchestration, composition etc, as well as using the essential skills I’ve picked up running a commercial recording studio for 20 years, all adding up to an extra string to my bow in TV and production music. This has been a life-saver during the down-turn in sessions and has substantially supplemented my income, to the extent that I now wish to explore this avenue further. Educating myself continually throughout my career (learning from friends & colleagues at work, reading trade mags, visiting forums etc, it doesn’t always mean obtaining written qualifications) has given me choices and an edge over my competitors. And it’s fun and keeps me excited about my work!

Whatever your passion and talent (trying to be realistic about whether you passion IS in fact, your talent), immerse yourself in it to become the absolute best you can be, whether that means a degree, masters or just pure hard work and experience (many successful producers started as tea boys in major recording studios – although those positions are very rare now).Taking advice from professionals in the business can often help, but ultimately you are the one who has to make the decision and live with it.

Remember, there is NO short route to the top. Having the ‘X Factor’ is actually all about having the staying power, the focus, the consistency and the willingness to work as hard and as long as it takes to reach our goals.

 

 

 

Jazz Piano Lesson from one of the world’s greatest masters

One of my all-time piano heroes, Oscar Peterson gives us this amazing jazz piano lesson.

…and here’s a heart-warming documentary on the man’s life & work…

Book My Piano Lesson Now!

Jazz Piano Lesson in Notting Hill | Jazz Piano Lesson in Knightsbridge | Jazz Piano Lesson in Kensington | Jazz Piano Lesson in Holland Park | Jazz Piano Lesson in Shepherds Bush | Jazz Piano Lesson in Maida Vale | Jazz Piano Lesson in Paddington | Jazz Piano Lesson in Royal Oak | Jazz Piano Lesson in Kensal Green | Jazz Piano Lesson in Kensal Rise | Jazz Piano Lesson in Harlesden | Jazz Piano Lesson in Willesden | Jazz Piano Lesson in Acton | Jazz Piano Lesson in Bayswater | Jazz Piano Lesson in Lancaster Gate | Jazz Piano Lesson in White City | Jazz Piano Lesson in North Kensington

Wabi-Sabi in Piano « The Go Play Project by Catherine Shefski

[Taken from a Piano Playing site I’ve just discovered run by Catherine Shefski, I’m very attracted towards her approach and wanted to share her thoughts here on my site. The documentary’s a good watch, too!]

Wabi-Sabi in Piano

A SoundCloud friend, Peter Vorländer, (cis minor) introduced me to the concept of Wabi-Sabi the other day. He gave me just enough information to send me searching the web reading everything I could find on this topic. Here is his wonderful explanation….

Short about Wabi-Sabi: its a concept that values imperfection. For example many things become more beautiful when they become older, think of a piece of wood or the patina of a metal tea can. Thats Wabi-Sabi. There is a very compelling story of Ryuki, a famous japanese person. When he was young he decided that he wants to follow the path of learning to master the tea zeremony. He went to an old master and applied. The master told him: “I want to see if you are the right person to learn this. So hear you see my garden, its pretty disordered, please clean it up”. So for the full day young Ryuki was working in the garden and cleaning up everything with perfection, always secretly observed by the old master. At the evening he was finished. Everything was tidy. Ryuki stepped back and looked to the clean garden. But he had the impression, that something is wrong. He went to a cherry blossom tree, shaked it a little and three little cherry blossom leaves fall down on the cleaned path. Thereafter he was pleased. The old master who had observed this knew, that Ryuki will become great master of Wabi Sabi… And actually he became. So this is Wabi-Sabi … three little cherry blossom leaves on a cleaned pathway. Considered as imperfection with a western point of view, considered as highest perfection in Japanese culture of Wabi-Sabi. And I think the same applies for music…we need to strive for Wabi-Sabi, not for cold technical perfection. Once you start viewing the world with the eyes of Wabi-Sabi you will discover beauty almost everywhere … and so much pleasure comes from this!

In addition to getting back to the piano, another of my ongoing goals has been to de-clutter and lead a more Minimalist Lifestyle. As I look around my house and choose what will stay and what will go, I’m drawn to three or four possessions – an old blanket chest I purchased for $35 which was refinished by my father, my cracked majolica plates, a large yellow vase with hand-painted flowers, and a little green paint-splattered work table from my grandfather. These are the  pieces that have followed me from house to house, city to city, over the years. I can’t bring myself to put them out for a yard sale or donate them to charity yet.  These represent Wabi-Sabi to me. Imperfect. Natural. And a little sad.

I took time over the past few days to watch Marcel Theroux’s documentary “In Search of Wabi-Sabi” and I’ve learned that Wabi-Sabi can be summed up in three sentences. Nothing is perfect. Nothing lasts. Nothing is finished.

Perhaps this “Go Play Project” has a touch of “Wabi-Sabi.” After all, the performances are not perfect, the recording process is as simple and as natural as it can get, and the pieces are all WIP’s (works in progress). They will never be complete as long as I find more to listen to and more subtleties to refine.

Could it also be that the pieces themselves summon the spirit of Wabi-Sabi and that is what makes a piece like Chopin’s Nocturne in c# minor speak to so many – musicians and non-musicians alike? The Rachmaninoff Etude Op 33 no 2 is a piece I’ve worked on only in the winter. Does that particular piece evoke  sense of the impending “death” that comes in winter? Are we drawn to certain composers and pieces in the same way we’re drawn to certain comfort foods, pieces of furniture and art, and nature settings?

Wabi-Sabi in Piano « The Go Play Project.

Piano Lessons

Who will replace the all-time greats? A West London Piano Teacher asks….

Piano LessonsAs another tragic loss was reported recently from the highest echelons of the recording industry, I started thinking – who is going to replace the Whitneys or the MJ’s of my generation? Being a Piano Teacher based in West London, I’m involved with music education in the UK and am concerned about our current standards and methods. I believe the US has a lot to teach us about levels of performance within the pop industry and a general approach within pop genres to playing instruments and general musicianship.

So who is up to the task of taking the baton being passed down by artists of this calibre? While TV ‘talent’ shows purport to showcase new undiscovered artists, more often than not they are lowest-common-denominator shows designed by reality-TV hacks, and as such they focus much more on the cringe factor, than on a genuine search for exemplary performance and showmanship. More like a public hanging than a celebration of achievement!

And given that major record labels no longer develop acts – relegating any of the ‘lucky’ ones quickly to the rubbish heap if their first quarter’s figures fail to match up to predictions, who is going to nurture and encourage the major artists of the future? Will there actually BE any?

What made Whitney and MJ stand head and shoulders above the rest? Who are the new young giants wowing us with their performances and songwriting, in the way these legends of pop did when they amazed us all back in the day? Who is your favourite new artist to claim the crown and what qualities do they have in common with past kings and queens of pop?